abstraction

Solo Exhibition at Galleria Myötätuuli

Gallery Team and Artist

Gallery Team and Artist

The weather in Northern Finland might be putting on its most bleak, dark and dreary game face, but in Galleria Myötätuuli in Raahe, there is a bit of summer color and warmth. My newest abstracted flora paintings and watercolors are in exhibition for the month of November. The opening party was on the evening of November 1, 2012, with students from the local music school performing a few folk songs and Chief Physician Pirkko Ahokas-Tuohinto from Raahe City Council to inaugurate the exhibition.

I want to thank Soili Lankia and Sinikka Pollari (culture operations director and culture supervisor) for their fantastic help and support. This is a wonderfully run city gallery, and I highly recommend it for artists and art lovers. It may be in a small town (and have low ceilings), but the people who run it have a lot of enthusiasm and energy.

For the benefit of those who can't make it in person, here are some images of the exhibition (before the opening):

Artist's Mother and Pirkko Ahokas-Tuohinto

Artist's Mother and Pirkko Ahokas-Tuohinto

GM Photo 1

GM Photo 1

GM Photo 2

GM Photo 2

Close up 4

Close up 4

GM Photo 3

GM Photo 3

GM Photo 4

GM Photo 4

Close up 2

Close up 2

Close up 3

Close up 3

GM Photo 5

GM Photo 5

Close up 5

Close up 5

GM Photo 6

GM Photo 6

GM Photo 7

GM Photo 7

Dusting off the cobwebs

Oh, wow, I have a blog. I forgot. My pitiful excuse for such blatant blog-neglect is sleep deprivation  (see way way below).

To fill in the gaps since the last post: sleep-deprived-night followed by raucous baby-and-toddler filled day, set on loop, irregardless of date or circumstance. Insert some sanity and/or creativity in there somewhere, ...please.

Once again, through the tireless assistance of my husband (while on his vacation, poor thing) and my mother (who could also use some time in the studio) I've been able to squeeze in a few hours here and there to complete another portrait commission for a Helsinki University professor (which will be revealed later in October) and gradually develop a handful of figurative works. And I mean gradually. When my husband comes into the studio to peek at the day's progress, after I've proudly announced to him that I "painted three hours today!", all he can do is ask, with a polite smile, what exactly is different?

While it takes me only a couple of hours to model a face or hands in oil paint, it can take me hours upon hours to paint one layer of those blobby (my new "technical" term), abstract shapes, and then I have to wait a day or two to painstakingly render the next layer. This process goes light-years faster when done in acrylic paint, but I prefer the texture, handling and surface of oil paint (and ever since those university days when I would sleep, eat and paint in the same apartment room, I love the smell of oil paint too; no, I did not use solvents in enclosed spaces). I'm attempting to fuse figurative with blobby abstraction, and I prefer to use oil with the figurative work, so that means I have to be patient...

A little patience is a good thing for studio practice, but little patients aren't.